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Rebecca Compton, Elizabeth Heaton, & Emily Ozer Haverford Collegeĭescriptors: cognitive control, ERN, error-monitoring Together, these findings suggest that rapid mechanistic processes for affective valence are dependent on visual modalities, but these are enhanced by concurrent affective sounds, paving the way towards an understanding of the construction of multi-modal affective experience.Ī 'GOLDILOCKS EFFECT' IN TRIAL TIMING: PERFORMANCE AND NEURAL INDICES OF SELF-MONITORING DEPEND ON THE INTER-TRIAL INTERVAL DURATION Time frequency analyses revealed significant mid frontal theta-band power differences between conflicting and congruent stimuli pairs suggesting very early (>500ms) realizations of thematic fidelity violations. The results of Experiment 2 replicated the findings from Experiment 1, whereby negative visual stimuli evoked larger LPPs. positive audio 1 positive visual) or conflicting emotional pairs (i.e. Experiment 2 manipulated this enhanced effect by altering the valence pairings with congruent (i.e. Interestingly, paired picture-sound conditions had the greatest differentiation. Experiment 1 (N = 23) revealed statistically significant differences in brain potentials between positive and negative valenced pictures (negative > positive), but not sounds. This series of studies aimed to probe the mechanistic contribution of the Late Positive Potential (LPP) to emotion perception. EEG is particularly sensitive to real-time neural computations, and thus is an excellent tool for the study of the construction of emotion. Cavanagh University of New MexicoĮmotion is thought to be an emergent construct of multiple primitive sub-processes. 'THE SOUND AND THE FURY': AFFECTIVE SOUNDS MODULATE BUT DON'T ELICIT AN LPPĭarin R.

POSTER SESSION I _WEDNESDAY, SEPTEMBER 21, 2016_

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